#But the idea of telling the truth and then telling a better truth has been percolating for at least a month now and so I must now test

[antianakin]

Someone mentioned in the notes that Obi-Wan would have already done this with Anakin by taking Anakin on after Qui-Gon's death. The idea that he might have to attempt it TWICE is very depressing.

I do think that this would be an interesting dynamic in a lot of ways because Ahsoka I think would be FAR less receptive to Obi-Wan taking on thaat role than Anakin was, and than Obi-Wan would've been to Qui-Gon. Anakin barely spent all that much time with Qui-Gon before his death, so the switch from Qui-Gon to Obi-Wan isn't quite as difficult, and Obi-Wan would've likely spent quite a lot of time with BOTH Feemor and Qui-Gon before Feemor died and was still on good terms with Qui-Gon when Qui-Gon took over his training.

Ahsoka, by contrast, hasn't even fully decided she wants to become a Jedi by the time Order 66 happens and is on somewhat rocky ground in her relationship with Obi-Wan at the time (she's relatively friendly in their last conversation, but she's still distant and she was pretty quick to jump down his throat when he didn't immediately tell her what she wanted to hear earlier). There's also the issue of Obi-Wan knowing that he's taking over for Anakin because Anakin BETRAYED THEM ALL. Depending on when in the timeline Ahsoka actually met up with Obi-Wan, Obi-Wan may not know that Anakin survived (and also depending on which canon you ascribe to about when he discovers that information), but if it's after he DOES know that, then he's taking over for a master that ISN'T ACTUALLY DEAD.

And we all know how attached Ahsoka is to Anakin and how unwilling she is to accept the truth about what he did, her guilt surrounding what she believes to be her part in Anakin's ultimate fate and how that hinders her. I don't get the feeling that Ahsoka would take this information well, and I could EASILY see her turning on Obi-Wan and blaming him for not trying to give Anakin more of a chance and for either killing Anakin or leaving him to die.

The history that Ahsoka and Obi-Wan have together and their shared connection to Anakin COULD be helpful in allowing Ahsoka to face those feelings head-on and heal from them and return down the path of becoming a Jedi, but it could also go the exact opposite way. That history and their shared connection to Anakin could become a wall between them, something that just causes more pain and misunderstandings.

It would be the MESSIEST transition of them all since it involves having to heal individually from the pain that Order 66 encompassed on its own, as well as having to get over all of Ahsoka's issues stemming from the Wrong Jedi arc, and likely having to UNDO some of the bad training Ahsoka got from Anakin in the first place before Ahsoka is even willing to admit she wants to return to being a Jedi and even once she reaches that point, she and Obi-Wan might both feel like this isn't a particularly great match anymore and that Ahsoka would be better with literally anyone else. They MIGHT choose to stick it out together, but I think they'd have to be pretty careful around each other and couldn't necessarily fall into the more typical Master/Padawan dynamic. They can't just go back to who they were, they're both irrevocably changed by what's been done to them.

There's potentially some healing that could happen between them, but my instinct is to believe that even if they DID help each other heal from Anakin's betrayal, they still can't slot into a Master/Padawan relationship and would need to start fresh with other people in order to let go of that desire to cling to the past that just continues to cause them pain. (I also think Ahsoka would probably chafe at being stuck on Tatooine the way Obi-Wan has committed himself to and needs someone more willing to go out and be more active in the rebellion.)

One of the reasons that the headcanon that Qui-Gon "repudiated" Feemor post-Xanatos really bothers me is that the characterization we get of Qui-Gon really lends itself more to the idea that he might've CLUNG to Feemor rather than pushed him away. There's zero indication that Qui-Gon has cut off all contact with the people he had relationships with prior to Xanatos (Yoda, Mace, Tahl) and one of the reasons he's so disinclined to take a new apprentice is the fear that he'll make the same mistakes he did with Xanatos and cause their fall. But if he has a whole other apprentice that he WAS successful with, wouldn't he instead cling to that proof that he's not actually a failure? Even just as a comfort?

I propose an AU where Qui-Gon actually ends up partnering with Feemor post-Xanatos in order to always have that comfort nearby. Feemor wants Qui-Gon to get back into the saddle of teaching but knows Qui-Gon well enough to understand that throwing him into that saddle won't go well for anybody, so he decides on a trickier plan and takes a Padawan of his own (his first Padawan since he became a Knight) and ask for Qui-Gon's assistance. Since Qui-Gon is partnering with him, it's inevitable that they'd end up basically sharing the responsibility of teaching any Padawan that Feemor takes, but Feemor intentionally makes sure Qui-Gon knows that he's nervous about it and will want his Master's guidance.

So instead of becoming Qui-Gon's Padawan, Obi-Wan ends up becoming FEEMOR'S Padawan. Qui-Gon sees right through all of this of course, but he can't really do anything about it and he doesn't really mind helping Feemor with a Padawan the way he would if he had sole responsibility. He bonds with Obi-Wan relatively easily and the three of them become an incredible team.

And then you can get real angsty with it and say that Feemor died before the events of TPM, so Qui-Gon obviously took over Obi-Wan's apprenticeship on his own afterwards.

[sasheemo]

When we collide

Chapter 11

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Chapter Summary: Agatha sneaks into your house, and an already risky plan takes an unexpected, and even riskier, turn.

Word Count: 3.4k

A/N: I know this update took forever and I am so sorry, work and life in general have been crazy lately. Writing has been such a slow process, and finding the time to sit down and focus has been hella hard.

That said, I’m so grateful for your patience and support—it truly means the world to me. Every comment, like, and bit of encouragement keeps me motivated to push through, even when things feel overwhelming. I hope this chapter was worth the wait and that you enjoy reading it as much as I enjoyed crafting it.

Thank you for sticking with me through this journey. Your love for this story keeps me going 💜

It feels like you’ve been hiding in the shadows of your garden for hours. You have no idea how much time has passed or how long Agatha has been inside.

Seconds stretch into minutes, and you can’t shake the feeling that you’ve been waiting an eternity.

The night grows colder and heavier with each passing second, the chill creeps through your dress, your eyes fixed on the darkened windows above. The faint glow of the kitchen light spills onto the ground, a subtle but constant reminder of your mother’s presence inside.

You clench your hands into fists at your sides, trying to still the growing unease coiling in your chest. The plan had seemed straightforward at the time: get Agatha inside, have her pretend to be you, and wait for her to open the window. But now, as you stand in the biting cold, the enormity of the risks begins to gnaw at you.

Agatha doesn’t know your mother. Not the way you do. 

She doesn’t know the sharp edge to her voice, the way her words cut deeper than her glares. She doesn’t know the little tells, the moments when her mood shifts and it’s better to stay quiet than risk provoking her. And most importantly, Agatha doesn’t know the intricate, tense dance you’ve perfected over years of enduring her.

The weight of it all suddenly feels crushing. You shift uneasily, your breathing shallow as your thoughts spiral. What if your mother notices something’s off? What if Agatha hesitates or says the wrong thing? What if she tries to talk her way out of something and slips up? 

You bite down on your lip, forcing yourself to breathe slower, deeper. But the thoughts don’t stop. 

What if your mother catches her before she even reaches your room? What if she figures out the truth? What would she do - to Agatha, to you - if she realized the extent of this betrayal? Your mind conjures up a dozen worst-case scenarios, each one more terrifying than the last.

A sharp gust of wind pulls you from your spiraling thoughts, and you glance down instinctively at the small bundle of fur near your feet. The rabbit, Agatha’s rabbit, sits quietly in the shadows beside you, its nose twitching as it sniffs the night air. Its presence is steady, calm, almost indifferent to the storm raging in your head.

You crouch down slightly, your fingers brushing against the creature’s soft fur. It doesn’t flinch, simply shifts closer as if it senses your unease. There’s something grounding about the animal, something simple and reassuring. Agatha had brought it here with her, and for some reason, the thought that something she clearly cares for is by your side soothes the sharp edges of your panic.

You take another breath, steadier this time. The faint glow from the kitchen is still there, unchanging, and the stillness of the house seems both unnerving and hopeful. 

She’s inside. She’ll make it.

And then, finally, you hear the faint creak of the window above. 

Your head snaps up, your pulse quickening as you watch it ease open. Your own face peers out from the shadowed wooden frame, tense and searching the garden below. It takes you a second to remember that it’s actually Agatha.

The sight pulls at something strange in your chest. You know the spell you cast has served its purpose, that she’s safe now. That realization settles over you like a wave, and you exhale slowly, steadying yourself.

Closing your eyes, you draw on the lingering energy of the spell, your magic buzzing faintly under your skin. You picture her, not as a reflection of yourself, but as she truly is: darker, undeniably powerful, magnetic. With a flick of your wrist and a soft breath, you send the magic out, releasing it.

When you open your eyes, the figure leaning out of the window has changed. Her true form has returned: wild, dark hair framing her face, sharp cheekbones catching the faintest glow of the night.

Agatha’s gaze catches yours, steady and knowing, as if she’s fully aware of what you’ve just done. She tilts her head slightly in acknowledgment, a silent signal to come up. 

The tension in your chest doesn’t fully ease, but you let yourself glance at the towering tree at the center of the garden, its ancient branches stretching out in every direction like a great, unmoving sentinel. The bark is thick and weathered, furrowed with deep grooves that speak of countless seasons endured. 

Its lowest branches bow slightly under their own weight, but higher up, the limbs grow stronger, sprawling outward with a defiant strength. One of its largest branches curves close to your window, not enough to block the view from your room but near enough to serve as your path inside.

The tree has always been there, a quiet companion through your childhood. Back then, its lower limbs had felt like a sanctuary, their rough surfaces welcoming and steady beneath your hands. You’d scramble up effortlessly, laughing as you dangled your legs and let the world blur into your own imagined wilderness. 

But tonight, the tree looms above you, its branches no longer inviting but daunting, like a puzzle demanding perfect precision. Your gaze fixes on the thick branch that leads toward your window, and doubt creeps in uninvited.

You exhale, trying to calm the knot of nerves twisting in your stomach. The branches look sturdy, thicker than they seemed when you were younger, but you know they’ll need to hold more than they ever have before.

You step closer to the tree as you prepare to hoist yourself up. But as you look upward, plotting your path, reality snaps into focus. 

One of your hands is clutching the rabbit, its small body shifting slightly against your palm, leaving the other useless for climbing. Both hands will be needed to grip the bark and the branches, to steady yourself as you ascend.

You can’t climb like this.

Your jaw tightens as you glance down at the animal, then over your shoulder at the satchel pulling against your back. The weight of both feels suddenly oppressive, a barrier between you and the safety of the window above.

Your breath is clouding in the cold air as you glance up at the towering tree again. For a moment, you stand frozen, your mind racing for a solution.

Then, an idea comes to you. Maybe it’s reckless, maybe it’s not perfect, but it’s all you’ve got, and it’ll have to do.

Kneeling carefully, you place the rabbit gently on the ground beneath the tree. 

“Stay.” you whisper softly, as the small creature sniffs the grass, its twitching nose brushing against a fallen leaf. You shrug the satchel off your back, unfastening the flap with fingers that tremble slightly from the cold.

You glance down at the contents of the bag and let out a soft sigh of relief. Agatha, it seems, is a light packer. There’s enough space, you think, and without hesitation, you scoop up the rabbit again, cradling its small body close for a moment. 

“Alright, you’re going in.” you whisper, angling the bag carefully to create a safe, snug space.

The rabbit shifts, its ears flicking in mild protest, but it doesn’t wriggle too much as you tuck it in among the folds of Agatha’s clothing. You adjust the fabric gently, making sure it’s secure, and offer a quiet, almost reassuring murmur. “See? Not so bad.”

You hope the familiar scent will keep it calm during the climb. For a moment, the faint smell reaches you as well - earthy yet sweet, rich and layered - and it stops you in your tracks. The briefest flicker of distraction pulls at you before you shake it off, focusing on closing the satchel and readying yourself for the climb.

You glance up at the window to check for any sign from Agatha, but what you see halts you. She’s leaning out of the darkened window, her features clear despite the shadows, and her expression… well, if looks could kill, you’d be flat on the ground.

Her glare is direct and unmistakable, her lips pressed into a thin, irritated line. It doesn’t take much to realize why. 

She’s staring straight at the satchel slung over your shoulder and the rabbit inside it. You’re frozen, caught mid-motion, her piercing gaze making you feel oddly small, like a child caught red-handed. Your irritation flares before you can stop it, the sharp edge of it cutting through your nerves. 

‘What exactly does she expect me to do?’ you think, sarcasm practically spilling over. ‘Carry it in my teeth?!’

You bite back a laugh at your own thoughts, the absurdity of the situation tugging at the corners of your mouth. You glance away from the window, shaking your head with a mix of annoyance and amusement. 

“As if she’d have a better idea.” you mutter quietly to yourself, the words more a release of tension than anything else.

The bark digs into your palms as you grip the trunk, pulling yourself up onto the first branch. It creaks faintly under your weight, but it holds, as it always has. Your breath comes slow and deliberate, each movement measured as you reach for the next handhold.

Even so, the awareness of Agatha’s eyes on you gnaws at the edge of your focus. Her gaze feels like a weight on your back, amplifying every misstep and every slight tremble in your limbs. The idea of her judging your clumsy climb, silently critiquing each slip of your footing, sends another wave of irritation coursing through you.

And yet… there’s something oddly reassuring about it too. As if her presence, no matter how frustrating, guarantees that someone will catch you if you fall. Not literally, of course, but the thought lingers, steadying you more than you’d care to admit.

You shift your weight carefully, reaching for the next branch. The satchel presses against your back, its weight a constant reminder of your responsibility, and of the sharp eyes above you. You resist the urge to glance up briefly, focusing instead on the climb.

You move cautiously, gripping the bark tightly as you climb higher. The tree groans faintly under your weight, and you freeze, holding your breath. 

The sound seems impossibly loud in the stillness of the night, a sharp contrast to the quiet hum of crickets and the faint rustle of leaves in the breeze. For a moment, you glance toward the kitchen window, half-expecting to see your mother’s silhouette appear, but the glow remains steady, undisturbed.

You grit your teeth, focusing on your balance, careful to distribute your weight evenly. Every move feels agonizingly slow, the need for silence making each step a deliberate act of precision.

As you near the branch that curves toward your window, you reach out with one hand, your fingers brushing the rough bark. It’s close, close enough that you can almost imagine the feel of the window frame beneath your palm. 

But as you shift your weight to make the final stretch, your foot slips against the trunk, the bark giving way beneath your boot.

Your stomach lurches as your balance wavers, your free hand scrabbling desperately for a hold. The satchel shifts sharply, throwing you further off balance, and for a terrifying moment, you’re certain you’ll fall. Your breath catches in your throat, panic blooming in your chest.

From her vantage point at the window, Agatha tenses instantly. Her eyes widen, and for a split second, she shifts forward slightly in a reflexive, almost involuntary motion, as if she could somehow close the unbridgeable distance and reach you. Concern flickers across her face as her hands grip the windowsill tightly, knuckles paling with the pressure.

But then your hand finds purchase, gripping a knot in the bark just in time to steady yourself. 

You hang there for a moment, your heart pounding in your ears, your body frozen as the satchel settles back into place. The rabbit stirs faintly inside, and you murmur a soft reassurance under your breath, though it’s as much for yourself as for the animal.

The faint creak of the tree subsides, and the night seems to hold its breath along with you. You force yourself to exhale slowly, the tension in your chest loosening as you steady your footing once more. Carefully, you reach out again, this time gripping the branch firmly before pulling yourself up onto it.

The window is finally within reach, a threshold to safety. 

As you glance up, Agatha is there, her figure sharp and still against the faint shadows of the room. She’s waiting, her presence a silent promise that the plan is almost complete. The sight steadies you and, for the first time since the climb began, relief flickers at the edges of your thoughts, fragile but real.

As you near the window, Agatha leans out further, her gaze flicking to the satchel slung over your shoulder. She lifts a hand, gesturing for it with a slight wave of her fingers, her expression calm and maddeningly smug.

You pause, blinking at her. 

“Really?” you mutter under your breath, incredulity practically dripping from your tone. 

She tilts her head slightly, arching a single brow, her smugness somehow amplifying as she gestures again, clearly waiting.

For a moment, you consider ignoring her, but then you glance at the satchel. She has a point, giving her the bag would mean the rabbit is safer, and, without the extra weight on your back, you’ll have an easier time pulling yourself through the window.

With a dramatic sigh, you shrug the satchel off your shoulder, the strap sliding down your arm before you lift it toward her. She stretches downward, her fingers brushing the edge of the leather before she grips it firmly and pulls it from your grasp. 

For a moment, you watch her, half expecting her to disappear entirely now that the bag is secure in her hands.

And that’s exactly what she does. Agatha retreats, vanishing from the window’s edge with the satchel in tow. You roll your eyes, your mind instantly jumping to the conclusion that she’s probably fussing over the rabbit. 

The thought irritates and amuses you in equal measure, but you shake your head and steady yourself for the final push. 

The ledge is close, and with the satchel gone, the climb feels marginally easier. You stretch your arms upward, gripping the edge of the window frame as you shift your weight onto the thick branch beneath you. 

Carefully, you pull yourself higher, your knees brushing the frame as you begin to hoist yourself inside.

For a moment, it seems like you’ve done it. Your body halfway through the window, balance steady enough to keep going.

And then your foot catches on the edge of the frame.

The jolt sends you stumbling forward, your grip slipping as the momentum drags you into a clumsy, uncontrolled tumble.

Agatha moves instantly, appearing as if out of nowhere, her reflexes instinctive and precise.

You barely register the sudden shift before her silhouette is in front of you. One of her hands darts out, gripping your arm with surprising strength, but it’s not enough to counter the force of your fall. Her other hand slides to your waist, firm and steady, trying to catch you, but the momentum is too much.

There’s no time for either of you to adjust. The pull of gravity drags you forward, and you both tumble into the room in a chaotic, ungraceful heap. The impact knocks the breath from your lungs, and you land tangled together. 

Agatha is half-sprawled over you, her weight pinning you to the floor, grounding and overwhelming all at once. The world seems to fade, narrowing to the soft rustle of leaves in the night and the rhythm of her breathing. 

Her face is unbearably close, so close that her breath brushes against your cheek, warm and uneven. Untamed hair spilling over her shoulder and grazing your arm, strands scattered haphazardly from the fall.

There’s a stillness to her expression, but the faint parting of her lips reveals a hitch in her breathing, as though the shock of the tumble hasn’t fully left her.

Both of her hands remain where they caught you, one curled tightly around your arm, the other pressed firmly against your waist. The heat of her touch burns through the fabric of your dress, rooting you in place even as your pulse races wildly.

Those sharp blue eyes, piercing even in the dim light, are locked on yours. The intensity of her gaze makes your breath catch, as if she’s not only seeing through you but searching for something at the same time.

For a moment, nothing else exists. Your chest tightens and your pulse hammers in your ears as the space between you feels impossibly thin, a fragile thread stretched taut and trembling. 

And then, fleetingly - so quickly you almost think you imagined it - her gaze drops, flickering to your lips. The motion is so subtle, so brief, that it vanishes almost as soon as it happens. But the imprint of it remains, sharp and electric, making you shudder.

Your mind scrambles for something, anything, to say, but the words won’t come. All you can do is stare back at her, your chest rising and falling as you struggle to make sense of the moment.

The silence stretches, thick and almost suffocating, until Agatha breaks it. Her voice is low, threaded with dry amusement but carrying an almost daring undertone that sets your nerves alight. 

“Are you always this dramatic,” she murmurs, “or am I just special?”

The words pull you out of your daze, and your cheeks burn instantly, the heat rushing to your face. 

“I— I didn’t—” you stammer, scrambling to find words, but every coherent thought scatters.

Agatha exhales sharply, her lips twitching as if she’s about to say something else, but instead, she pushes herself up abruptly. 

The cool night air rushes in as her warmth leaves, and you’re left on the floor, heart still pounding in your ears.

She brushes off her skirts with deliberate ease, her expression once again smug and composed, though there’s a flicker of tension in her movements. She extends a hand to you, her sharp gaze watching you carefully.

“Come on, get up.” she whispers, her tone calm but firm. “Your mother might have heard that.”

You glare up at her, your pride stinging, but you take her hand anyway, letting her pull you to your feet. Her grip is firm, steady, and as she helps you up, her fingers linger just a second too long before she steps back.

The sensation is fleeting but familiar, a ghost of what had happened only hours earlier by the lake. She’d done the same after you healed her burns, offering her hand with that same deliberate calm, as though her touch carried no weight. But it had lingered then too, just like now, and the memory ignites a warm spark in your chest. 

As you rise to your feet, your balance feels oddly unsteady, not from the fall but from the moment itself. You linger there, caught between embarrassment and something heavier. Your fingers twitch at your sides, as though still feeling the echo of her grip, and your gaze follows her as she moves away.

She crosses the room, moving toward the satchel she’d placed on the floor earlier and crouching down. 

You turn toward the window, reaching for the frame to shut it. The cool night air still drifts into the room, carrying the faint scent of the garden below. Your fingers curl around the wood, and just as you push it closed, a sound freezes you in place.

A creak. Faint, but unmistakable.

Your heart stops, and you glance at Agatha, who has gone still beside the satchel, her hand hovering over the flap. Her sharp eyes meet yours, and for a moment, neither of you breathes.

Another creak follows, heavier this time, accompanied by the low groan of the wooden stairs shifting.

Panic flashes between you in a silent exchange, the weight of the moment sinking in with brutal clarity. Agatha straightens slowly, her hand dropping from the satchel as her gaze darts toward the door.

Well, shit. Your mother definitely heard.

[coriphallus]

DA: The Veilguard Spoiler Review pt3 - Politiks

oh my little void in this world wide web, we are really in it now.

a little PSA before you read this word vomit, i am from westernmost middle east, and that will inform much of what i know about the topics i discuss. i wont know about race politics of america or the intricacies of it beyond what i can see online but as an immigrant i do have some perspective on western experience. so when i talk about heavy topics it will come from a foreign place. i do understand and admit that i cannot ignore that BW is a north american studio and that colours every theme they touch.

so there are two angles to approach this, 1st is to assess DAV on its own and 2nd is to assess it as a part of a whole and continuation of a franchise.

lets get 1st out of the way, its safely uncontroversial beyond taash's story. and eff-plays voiced my feeling verbatim on that subject more succinctly than anything i can possibly write.

2nd is very, very grim.

every DA game that came before had been interlaced with politics of its world so severely that its absence is disorienting. every game you were given the choice to change the political landscape of the countries youre playing in, for better or for worse. even the 2nd game with its vastly smaller scale sees hawke trying to navigate through their life as an immigrant, even at the games climax you are given a choice to drastically alter how this uprising will be remembered and it tells hawke that there are no half measures, they need to pick a side.

"Slavery or no, flesh is always for sale."

in my very first DAV playthrough i picked a shadow dragon elf, i didnt give her any backstory as i though being an elf in minrathous would shape her world view regardless.

first scene i got when organising my room rook pulls out the SHACKLES of a slave shes freed as she reminisces about how much good shes done, and puts them on her bedside. then proceeds to talk to a book and say "everybody looks down on elves but we were here first >:c"

(at this point i rerolled my character so i dont yet know how shadow dragon background plays out.)

at the very beginning of the game we see similar shackles and varric informs us that solas hates slavery, hes been freeing them.

when we make it to minrathous we learn that these people in neves circle have been freeing slaves.

alright so, the heavy handed deliveries aside, what purpose do all these scenes/expositions serve?

well, it makes these people look good. we know theres slavery in this part of thedas and these people are fighting against it not by any elaborate means but dont worry kitten <3.

[i had to look up the english for some of these terms so feel free to correct me if im wrong] patterson describes slavery as "one of the most extreme forms of the relation of domination, approaching the limits of total power from the viewpoint of the master, and of total powerlessness from the viewpoint of the slave". death of the soul, death of what makes one human -and for the purposes of this section- death in the eyes of state. slavery has such a long history that predates early modern colonization of africa by thousands of years. it is a staple of human history and where we have come from shapes what we are now. we can shun it, call it abhorrent but we cant pretend it never happened. theres always been people dead in the eyes of state.

heres the uncomfortable truth, there aint never been enough steel in the world to hold every hittite or mittani slave. to assume slavery is people getting abducted and put to irons is as naïve as human trafficking being a rando ruffying you and hauling you across the sea in a crate. yea, it could happen but 99% of the time its just a waste of time to physically hold someone against their will by force. and this idea makes us think its this far off thing that happened thousands of years ago by bad individuals doing very comically bad things, which is a very deliberate choice, because to depict period accurate slavery would be to portray social and economical classes, and that would be confronting how little we've changed in certain aspects.

people were born into that caste, shaped by it, worn down by it, and abused by it systematically.

in DAI Dorian says something -apparently- very controversial that i dont think this fandom has fully unpacked, and i aint gonna do that here either because im not remotely qualified. he likens the working class of south to slavery of north, theres no way to engage with this argument in any meaningful way, even as an elf, and in general people brush it off as dorians pro-slavery rhetorics.

try as DAV might to disregard, we actually did meet an ex-slave and trafficking victims on three separate occasions, and the games have set a premise already. we got to talk about their unique circumstances, and they were handled with some measure of dept. maybe you liked them, maybe you didnt, but you knew them and that makes a difference. they had agency in their own stories. a far cry from DAVs nameless faceless props for righteous gentiles to circle jerk about.

but, sure, lets tell ourselves showing them would be too gratuitous.

can you imagine how batshit insane it would look if zevran kept the belt her husband used to beat isabela with as a trinket, to display in his tent? that scene with rook disturbed me more than most anything in this entire franchise and coming from an anders supporter, thats saying something.

this is how little the writers were willing to engage with their source material. this is how little they are willing to engage with the world around them.

which makes the next blunder inevitable.

alot has been said about the absurdity of elves feeling responsible for the events of DAV, but maybe this hasnt been said enough; this is a blatant fascist rhetoric.

i will spell it out though, even though i never thought it needed to be said, the social performance of accountability indicates that the party who has done harm has benefited and continues to benefit from that harm, this is why reparations are paid, and thats what "check your priviledge" means. elves in DA have never benefited in any way from the warmongering of evanuris, they were enslaved by them.

to say that these people should feel some sort of responsibility towards what befell dwarves is a fascist rhetoric used irl to offload responsibility and divide and alienate the opposition further from eachother.

i cant tell you if this mouth piece is same everywhere but i know a few people who have clocked it immediately so im gonna assume it was obvious. and truthfully, i wouldnt even be annoyed if i thought it was intentional. genuinely, one of my favourite games is an unapologetic military propaganda whos protagonist would make ayn rand write sonnets about, and the game knows what it is. but no, i fully believe the studio tried to address the criticism they got about their lackluster handling of elves and either completely misunderstood or willfully disregarded the experiences of marginalised peoples that the games drew inspiration from.

the writing is so hollow beyond horrible dialogue that when writing an enby character whos also multicultural they didnt even notice the parallel theyve created. i know this because after an entire plotline about their struggle with binaries their story concludes with a binary decision on their culture. this just confirms to me that any dept this game has is completely accidental.

imma level with yall i dont subscribe to the belief that you need to have some type of experiences to write some type of characters and i find that "ofc a white person wrote it so..." response very tired because yea we should be allowed to expect more from white people. i too had OCs of different cultures that i wasnt very familiar with and handled poorly, but unlike me, a company can afford a consultant.

i played greedfall recently, and sure the maori tattoos were a shit decision, and im disappointed that after all the criticism they still stuck with it, and yes maybe its story was not sensitive enough but you know what? as the person whos recommended it to me said, i rather have a story who boldly engages with its own themes than one whos terrified of them. say what you will about its shortcomings but at least at the end of that game you can have an ending where the colonizers leave for good, and yes their plague is not healed but the narrative doesnt punish the natives for their isolationism. i am glad that the game allows that catharsis to its players.

DAV could have had 300 well thought-out endings and still not please everyone, but the endings they chose to include directly implicates the group theyre trying to appease and its literally just people who either want to punch or kiss solas, thats how fucking deep they think their fanbase it. not the people who wanted to end slavery, or achieve equilibrium with beings no matter how alien they are. or people who wanted to see a culture connect with its roots etc etc.

and maybe they were right, many people have been enjoying this game immensely and i am just, so fucking jealous. i wish i liked this game and enjoyed it and didnt want to tear out my hair every second i spent in treviso. i wish i wasnt seething white knuckling my sink like an insane person when a little kid wrote to crow rook that hes recruiting orphans now. i wish i had any belief in this game to read that as satire.

at least i wish i felt any form of vindication when i immediately realised this game was going to be a soulless cashgrab that unashamedly uses the name of a popular IP to push a sub-par product earlier this year, i just spend 80+ hours watching a company parade the carcass of a franchise i loved and beat it like a pinata as it continuously slapped me on the face with a botched wax figure of it.

i just feel this profound sense of sadness. i wish this game didnt exist. and no i dont feel any kind of brand loyalty, even when i actively enjoyed their work i didnt but i definitely dont now, not after 3 consecutive games that theyve delivered with more or less the same problems. as the company is today, i dont care whether bw survives or not, its been made clear time and again that the bw i liked is long gone and bw today is clearly not interested in making games for me.

even as i write this i dont feel fuelled by my anger for DAV but by the love a have for what came before. i still think the story deserved better, the fans deserved better, the people who contributed into making DA universe what it was before DAV deserved better. and, as rook told harding, our anger is justified.

but, hey. hair looks really good.

[lavender-butterfly-cookie]

https://www.tumblr.com/lavender-butterfly-cookie/767407222529671168/shadow-of-wrath-beast-yn-cookie?source=share

Had an idea based off this...imagine if, instead, y/n blamed themselves for not being able to save the beasts and basically became a shell of their former self...depressed, staying at home, just laying around, crying, self isolating and stuff...and the moment the beasts pull up and blame y/n, they quickly discovered they just made it 50x worse so they gotta calm y/n down and drag em out of their depression...and to get back the y/n they once knew and loved.

Bonus: also it becomes a journey of self discovery for the beasts too as they slowly try to build their poly back up and adapt to their new selves as they try to get y/n over the traumatic experience of being forced to banish them...and the beasts showing y/n...it's not their fault.

Finally quitting the blame game

Y/N cookie, despite knowing it was for the greater good, still hadn't forgiven themselves for having their friends sealed away. They could've done more, in their perspective, to find a better solution. They still have dreams of how that day could've gone. Although they can't see how they'd do it, they could see a better result. A result that they failed to achieve. And it was all their fault.

What made it worse was when they came face to face with the beasts once again. They could see and feel the anger and hurt of their fallen allies and the fact that they too blamed Y/N cookie for this was enough to push them over the edge. In the heat of the moment, they fell to their knees, repeating how it was their fault. This was unexpected, to put it in simpler terms. The beasts didn't realized their words would have this effect, but they knew they didn't like it.

In reality, they knew it was their own fault for what happened, even if they'd never admit it aloud. But the fact that Y/N cookie was taking all the blame. The scene caused the beasts to feel something they hadn't felt in a long time. Guilt. With that said, they wanted to reassure them that it wasn't their fault. Even if they were still bitter about the betrayal, they didn't want to hurt Y/N cookie.

Bear in mind, when a cookie has fallen into a deep stage of depression and believe their at fault for everything, it's hard to convince them otherwise. Especially when they had lived with that mind set for centuries. All the beasts had trouble comforting and reassuring Y/N cookie. Sometimes it felt like they were talking to a wall.

Shadow Milk cookie tried explaining why it wasn't your fault. He'd sit on the edge of your bed whilst you lay there crying and hugging the pillow to your chest. He'd make little puppet shows emphasizing that you weren't to blame for what happened. You convinced yourself that he was deceiving you, that he didn't mean any of it and that he was just playing tricks on your heart. But he swears of his life he's telling you the truth. He's a liar, yes, but do you really believe he'd lie to you of all cookies?

Mystic Flour cookie also offered a lot of therapeutic assistance when she took you to the ivory pagoda. She talks about how she and the other beasts views had changed overtime and that although they were still upset you had them sealed away, they knew you were only trying to do the right thing. Even if she doesn't see what the right thing to you is. Cloud hatae and Peach Blossom cookie also helped in calming you down when you seem to overwhelm yourself by blaming yourself. If you had been any other cookie, she'd be so apathetic and simply solve the issue by turning you to flour. But she'd never. Not to you.

Saying that comforting others was not Burning Spice cookies cup of tea was an understatement. Can't you just get it together or something? Well apparently you can't. And the spice tribe leaders aren't exactly good at it either. With little to no options he turned to Golden Cheese cookie, who advised him to leave you in the care of the Kulfi monkeys. At least they'd have some kind of use now, he thought. Guess he was lucky he didn't go after them to crumble them. The kulfi's were all pretty good at providing comfort to you too, even giving you some lassi. When you witness destruction growing in your heart, the kulfi's will be there to make sure you don't fall apart.

Unlike the great destroyer, Comfort was Eternal Sugar cookie's middle name! She'd cuddle you, have servants serve you, shower you with love and attention, just be there for you. She wanted to make sure you knew that she didn't really blame you and that it truly wasn't your fault. What you did hurt, yes, but that was all in the past and you did it for the greater good. She'd give you all sorts of treats and gifts. She was like Golden Cheese cookie, but pink and fluffy. And when all was quiet in the night she'd take you for a flight around, hoping the cold air and quiet atmosphere would provide a sense of security. She may be a sloth at times, but for you she's putting in the effort.

Silent Salt cookie had experienced a pretty hard time comforting you. Mainly because he couldn't use his words. Regardless of that, he found his ways. Sometimes you can find the most peace in the silence after all. A good nighttime walk in the forest was nice, and so was star gazing. One thing he wasn't gonna allow was you trying to crumble yourself from the depression. He's stopped you a couple of times.

The beasts want to help you. but there's one thing that they know would help you that they refuse to do. They need to apologize. And frankly, none of them are quite ready for that just yet.

[vienna-fiore]

I’m putting on a smile, but inside, I feel like I’m unraveling. I can’t sleep, not really. Every time I try, my mind races with every “what if” imaginable. What if Sunny’s blanket shifts? What if she stops breathing and I don’t notice? So instead of sleeping, I watch her. I sit by her bassinet in the dead of night, straining to hear every little sound she makes, barely blinking just to make sure her tiny chest keeps rising and falling.

It’s like I’ve forgotten how to eat, too. Food feels pointless when all I can think about is Sunny — when she’s awake, when she’s asleep, if she’s okay, if I’m doing enough. I nibble here and there, but nothing feels appetizing. It’s like my body is in a constant state of tension, like I’m holding my breath all day long.

I haven’t left the house since her newborn check-up, and even that felt like stepping into a minefield. Every cough, every stranger who got too close — it all felt like a threat. The idea of taking her out again is unbearable. What if something happens? What if someone touches her, or if the world outside is just too much for her tiny, fragile body?

My roots are growing in, and I can’t bring myself to care. I used to take such pride in how I looked, in keeping myself together. Now, I barely recognize myself when I catch a glimpse in the mirror. My hair’s a mess, my skin looks dull, and I’m still in the same sweats I’ve been wearing for days. I know I should care—I know this isn’t me—but the thought of doing anything for myself feels impossible.

And yet, I can’t let anyone see this. What would they think of me? A bad mom? Weak? Ungrateful? Lorenzo’s been so good, so supportive, and I smile and tell him I’m just tired, but the truth is, I feel like I’m going insane. I can’t tell Nicola or Gemma or Chiara. I can’t tell anyone. They’d say I need help, but all I need is to get through this.

I just have to survive the newborn stage, right? It’ll get better. She’ll get bigger, and I’ll sleep again, and I’ll remember how to be me. It has to get better. Until then, I’ll just keep watching her, making sure she’s okay. If I can keep her safe, then I can handle this. I have to.

[lady-merian]

Maybe a Christian fiction writer just needs to tell the truth. Then tell a better truth.

[dutybcrne]

Thinking abt Kae’s Fatui verse,,,,

[dangoulains-devotion]

yuffie has many interesting elements to her but people refuse to move past "i find energetic kids annoying" and it makes me sad

[demetrius-haggarty]

The lion, brave and might,

What is it that he sees,

When walking in the candle light,

Under the beautiful Christmas trees?

I am... sorry, what?

*Meech has to read the poem twice, thrown aback by the format. Somebody spent time writing poetry? For him? About... Christmas presents?*

We all know that it's the family members and sometimes friends that lay gifts under a Christmas tree. Uh, not lay, why did I say lay, you're not ducks or chickens...

*He groans and frowns.*

You get the idea. I don't have many friends and my family is rather small. Perhaps my parent will come visit but the kind of jobs they have are especially difficult this time of year. So if there's anything I'd wish to see under a tree this year, it'll be something practical. New robes, socks, sweater, shirt... Writing supplies, I am so short on parchment and ink... Listen. I don't even have a wand of my own, this one was just given to me by... er, my great aunt.

I don't have much. But I also do not need much. Do not worry about it.

[raeofgayshine]

Wish there was a way to begin to explain what happened tonight during stream because there’s some kind of gold in Jim thinking that Riddler is fairy (like tinkerbell) but everyone else just thinks he’s calling Ed a slur and the pipeline it leads down, connecting to Bruce thinking babies come from kissing, all the way to Jim asking Ed and Oswald if Tim was “their fairy baby and Tim telling Steph “I think Jim just called me a fairy.” Steph: “sorry you had to find out this way, but we all kind of knew.”

[sage-nebula]

All these years later and I'm struck by the idea of a TSME AU on my way home from work. Sometimes the characters never really leave us, huh

[satoruxx]

you're sweating when you wake up, skin sticking painfully to your bedsheets as your bleary eyes dart around, attempting to make focus of your surroundings. the room is still dark, barely touched by the slight bit of moonlight that attempts to peak through the closed windows—defiant. it takes a minute to realize that the sounds that are breaking the silence are actually coming from your own throat—breathy, wheezing gasps of terror.

your stomach drops when your fingers grip cold and empty fabric. he's gone he's gone he's go—

"what are you doing up, pretty?"

your head snaps to the doorway. satoru stands there, sweats hanging low on his hips even as his hand remains curled around a glass of water. his hair is tousled with sleep, but his cerulean eyes are sharp and lively.

as soon as he sees the panic lacing your expression, his eyes widen, long legs practically tripping over themselves as he stumbles towards you.

"what happened?" he asks sharply, frantically placing the cup on the bedside table to take your face into his palms. shades of blue dart back and forth across your features as he perches one knee on the mattress and peers down at you. "are you okay?"

his touch sends electricity through your veins—a splash of ice water pulling you away from that painful reverie.

your heart both clenches and soars, the idea of what you saw being terrifying, and yet finding out it wasn't true being that much more relieving.

"i just—" your voice comes out choked, and satoru's fingers twitch against your skin imperceptibly. "had a bad dream."

you think your brain must be cruel for conjuring up a dream in which satoru could suffer to such abhorrent extents.

"oh sweets." satoru's sigh is sympathetically soft, thumb brushing over the apple of your cheek just barely. "it was just a nightmare."

"i know," you swallow, voice shaking. there's an uncharacteristic wetness pooling at your waterline. "i-it just felt so real."

"baby..." satoru immediately pulls you against the steady planes of his chest, thick arms snaking around your waist to eliminate any measly amount of distance between you two. you prop your chin on his shoulder, sighing as you feel his snowy hair tickling at your cheek.

"it wasn't real, sweetheart," he says, pulling back just slightly to push a piece of hair from your face. his thumb then drags under your eyes, wiping away the unshed tears. "see. you're here, i'm here. everything's all good."

"yeah." you're nodding, unable to take your eyes off of him because he's real and alive and so breathtakingly perfect. "yeah, you're right."

he gives you a lopsided smile, eyes bright and glowing. "i don't like to brag, but i usually am."

you snort out a laugh, missing the way his expression turns pleased at the sound. "hilarious. you love to brag."

"you got me there," he shrugs, grinning as you stick your tongue out at him. the lighthearted banter solidifies the fact that satoru is fine and unharmed and completely yours, but you can still feel the apprehension coursing through your veins. chills run up your spine—you try not to show it.

but of course, satoru has always been able to see right through you.

his teasing smile goes soft, and he inhales deeply.

"was it about me?" he asks, climbing into bed next you. you lay back down carefully.

"yeah," you mumble, watching him tug the blankets over your body and tuck you both under a cocoon of warmth.

"hm." something in his tone tells you he's not unfamiliar with the feelings you seem to be experiencing—his body shifts closer to yours. ocean eyes carefully asses you, deep and calculating and so concerned even as he smoothes a warm palm over your shoulder blades. "wanna tell me what happened?"

the truth is you do want to, because satoru has always understood you better than you've ever understood yourself—you have no doubt he'd be able to comfort you just as well as he normally does.

and yet...

"no," you answer, pressing your nose into his neck. a deep breath in, the lively scent that is so inherently your gojo satoru filling your very soul. "it's okay. i think i'll be fine."

when you shut your eyes, images flash behind them—of bloodied bodies and stitches and swapped souls. yet a chaste kiss to your forehead pulls you back to where you're supposed to be, warm and grounding.

"i know you'll be fine," satoru murmurs, lips tickling your brow as he speaks. you think you can hear the gentle smile as he says it, and your grip on him tightens—never letting go. "i'm right here after all."

[nebulaafterdark]

The Rats Pt. 2

Aegon Targaryen ii x Velaryon(Strong)!Reader

Summary: Aegon attempts to make peace with Rhaenyra after being forced to usurp her throne. Lucerys’ death complicates things.

18+ ONLY, MDNI

Part 1

“Princess Y/N of house Velaryon.” The guard announces.

Rhaenyra’s heart skips a beat, surely he is mistaken.

“Mother,” Y/N says, racing toward her. “Your grace,” she corrects herself.

Rhaenyra wraps her eldest child in her arms. “Mother will do just fine.”

Y/N buries her face in Rhaenyra’s shoulder.

“How did you get here?” Aegon would never let her go of his own free will.

“Daemon,” Y/N breathes. Knowing that her stepfather will owe her for the half truth.

“Where are the children?”

“In King’s Landing.” Y/N tells her, “to keep Aegon’s wits about him in my absence. He wants to come to an agreement, he’s more than willing to bend the knee. I only ask that he and Helaena be spared…as for Aemond Targaryen, he is a murderer.” Y/N’s voice breaks, “we will avenge the murder of my brother.”

Rhaenyra’s strokes a hand over her hair, feeling the dark waves that remind her of Lucerys. “Aegon and Helaena will receive full pardons based on your testimony. Rest assured I appreciate what you have done on my behalf.”

“Thank you.” Y/N pulls back marginally, realizing her mother’s pregnant belly should be between them. “Where is the babe?”

Rhaenyra shakes her head.

Y/N covers her mouth with her hand, “I am terribly sorry.”

“It is no fault of yours, darling girl.”

“I should have been here with you.”

“When I offered your hand in marriage, I had no idea Aegon was capable of love. It has complicated all of this.”

Y/N nods, “speaking of my husband. I should send word that I am well, lest he take out his frustration on Dragonstone.”

Rhaenyra taps her chin, affectionately. “I will fetch a scroll.”

————————————————————————-

Aegon’s youngest son is the only one of his children to share Y/N’s dark locks. His wife insisted they name him Aegon. After my dearest love. She said.

Aegon agreed of course as he can deny her nothing. The child wails nonstop, in the absence of his mother. At all of four months old, Aegon is the only one who can quiet him besides Y/N. As such, the King is now attending the small council meeting with a babe in his arms.

Their daughter, Dahlia, the eldest of the twins will sit the iron throne one day, through his line of succession and Rhaenyra’s. At all of six, she is sitting at the table. His other children Visera and Laenor have not been properly protected under the guard, they too must stay in his sightline.

“Gods be good.” Alicent frowns at her son.

“What is it?” Aegon huffs, arching a brow at her.

“The small council is no place for children, your grace.” Alicent explains. “They would be better tended by their maids.”

Aegon nods, “right. As you all know, two nights ago, the Princess Helaena was attacked in the children’s chambers. Our heirs were threatened and Queen Y/N was taken from us. During which time, not a single guard could be found on the entirety of the royal floor! Because you were-”

Aegon looks to his children in turn, “cover your ears my darlings.” He smiles, waiting until they have done as they’re told, holding his own hand over his infant’s ear. “Where were we, mother? Oh, that’s right, no one was guarding my children because you were fucking the royal guard.”

The council members lower their heads in acknowledgement.

“The men who carried out this attack, entered under the guise of rat catching. I want them found and swiftly executed.” Aegon demands, patting his sleeping son’s leg.

“We have been interrogating rat catchers for days, thus far we have no leads.” Otto explains.

A slow smile spreads over the King’s face. “Then hang them all.”

Alicent blanches.

“Anything else?” Aegon asks, watching Visera begin toying with Otto’s chair.

“A letter arrived from Dragonstone, your grace.” Lord Tyland informs him.

“Oh?” Aegon says, “from Rhaenyra?”

“From Queen Y/N.”

Aegon swallows, “did you read it?”

“No, my King.”

“Good,” Aegon reaches for the rolled parchment.

‘My dearest Aegon,

Please know that I am well. We would like to begin negotiations to end the blockade and create a peaceful transfer of power. This will require your cooperation, I hope you will meet me at Dragonstone to discuss this matter farther.

Forever yours,

Y/N’

Aegon exhales, sharply.

“What is it, your grace?”

“The children and I are off to Dragonstone.”

“Whatever for?”

“To negotiate the terms of Y/N’s return.”

“My King…”

“And if you cannot agree on said terms?” Alicent asks.

Aegon frowns, lifting a shoulder. “To war then.”

“He is unhinged,” Otto whispers to his daughter.

“As I warned he would be.” Alicent rises from her seat. “He is quite…devoted to her.”

————————————————————————

“It has been three days since you sent word to King’s Landing. We must assume Aegon’s silence is his response.” Daemon seethes, around the drawing table.

“Give it time.” Y/N insists, “you owe me that.”

Daemon smirks, “I owe you nothing, spoiled thing.”

“Mmm,” Y/N hums. “My mother does not yet know how I came to be here.”

“And you are not going to tell her. Otherwise, my distaste for your usurping cunt of a husband will be demonstrated at length.”

Sunfyre roars, calling their attention to the nearest window.

Daemon huffs, “I’ll be damned.”

“And he’s brought the children.” Y/N rejoices, running out to join her family.

Jacaerys is already helping to unload her children from the makeshift carriage on the dragon’s saddle.

“Mother!” Dahlia and Visera charge Y/N nearly knocking her backwards.

Laenor runs after them with his little legs as Aegon the fourth, stares at her, babbling in his father’s arms.

Y/N is moved to tears, “you came.”

“You didn’t think I would?” Aegon cocks his head to the side.

“It’s a rather large ask,” Y/N explains.

“For you, the world.” He replies, with a kiss to her temple. “Now, where is Rhaenyra? We have much to discuss.”

“Her grace will join us soon.”

Aegon nods, “I request a small audience, before the council.”

“That can be arranged.”

“After which your brother might tend the children whilst you show me your quarters.” Aegon whispers.

Y/N smirks, “of course.”

Part 3

Taglist: @minttea07 @callsignwidow @fallout-girl219 @syraxnyra @vickynephilim @jeondeluxe111 @geeksareunique @arya-brooke @7minutes-tomidnight

[ckret2]

Chapter 51 of human Bill Cipher is once more the Mystery Shack's prisoner: Dipper and Mabel try to figure out what the Axolotl's poem means; Dipper gets the hang of astral projection; and... whatever's going on up there happens.

####

Ford and Dipper came back into the shack through the gift shop; Ford didn't want to risk crossing paths with Bill. While Dipper went into the house, Ford went down—returning to the safety of his subterranean study.

Once Ford had put on the old black trench coat he'd worn during his multiversal travels and gotten comfortable at his desk, he pulled out Journal 5 to document the events of the last few days. In a cheap ballpoint pen, he wrote, I've lost my #1 Grunkle pen (and favorite coat) to the waters of Lake Gravity Falls. And then, deciding this didn't adequately express his feelings, he drew a small frown. That coat had served him well for decades, and he'd really liked that pen. It did write excellently, and it had reminded him of his gniece and gnephew.

He spent three pages documenting the eclipse—what happened, what readings he'd taken, what he and Dipper observed—and then another four pages talking about Bill. What he'd told them, why Ford had dismissed it; his claims about a trans-dimensional axolotl distorting gravity with its migration; the statue, the rescue, the breakdown.

The act of writing always helped Ford clarify his thoughts and untangle mysteries; it wasn't until he was writing that he realized the limbs Bill had said he couldn't feel were the ones that had broken off the statue.

He listed the rules of the chess variants he could remember Bill inventing. He drew Bill huddled in front of the board, grim, tear-streaked, exhausted; and then scratched out his face, embarrassed at the thought of immortalizing such a raw moment for his private viewing.

He wrote, There's still a slim possibility that the entire "eclipse," start to finish, was Bill's masterfully-orchestrated scheme to make us pity and trust him; but it's unlikely. Although Bill is fiendish enough, he isn't currently powerful enough, and his lies certainly aren't elaborate enough. If he could pull off such a byzantine ruse, then he could just as easily escape—and if he can escape, why hasn't he? Bill may be insane, but he's never been THAT irrational.

And so, even as twisted as Bill's idea of "friendship" is... for the very first time, I'm convinced that he was telling the truth all along when he said he wants me as his friend. It's not an act. He risked his life to save someone who's an active threat to him.

And at the end of it all—though I'm grateful to be alive in spite of my own stubbornness—do I like him any better for it?

Ford leaned back and shut his eyes, sifting through the inner tumult of anger and old hurt that defined most of his memories of Bill, looking to see if anything had changed.

There was a sore, tender spot in his emotions, a place beginning to rot with remorse; when he prodded at those emotions, he found that it was shame over his own harsh conduct of the last couple of days. But he was only ashamed of how cruelly he'd acted; he wasn't ashamed that Bill was the one he'd done it to.

Outside of that tender spot—regret over his own behavior—nothing else had changed.

No. I still hate him. I'm grateful to be alive, but I hate him. He hasn't undone anything he did to my family and me, and he never will. Forgiveness can't be purchased with favors.

I'm only relieved at the certainty of it. Bill has committed an act that can't possibly be a lie. I know, beyond a shadow of a doubt, that he's shown me the truth; and the truth is he'd rather see me alive than dead. Whatever other lies he may tell, I can hold on to that fact.

Bill's miserable eyes peered out at Ford between the scribbles he'd drawn across his face. It was truly a pity that Ford had to hate him. Pity that Bill hadn't been somebody better. He could have been better.

Ford couldn't find it in himself to be embarrassed that he'd filled four pages talking about the monster he'd already wasted so many more on. Bill had been right about him: You might hate me to my face, but behind my back you're as obsessed with me as ever. The only thing Bill didn't understand was that hatred and obsession weren't mutually incompatible.

####

"Hey, Dipper," Mabel said, unfolding the living room sofa bed. 

"Hey, Mabel," Dipper said, passing through living room on his way to the stairs. He climbed up to the attic.

He came back down from the attic. "Mabel. Why's Bill asleep in your bed."

"He really needed a nap," Mabel said.

"Okay but why on your bed?"

Mabel pouted. "Dipper, do you realize he's never slept on a real bed? Ever?"

Dipper tried to imagine sleeping on a couple couch cushions on the floor every night. "Yeah, okay, that does kinda suck." Even if it was Bill's own fault he wouldn't sleep in the living room.

By unspoken mutual agreement, having a Bill in the bedroom followed the same law as finding a centipede in the bathroom. The law was "that's the centipede's bathroom now." So once the folding bed was set up, they sat on it to serve as their hang-out spot for the evening and caught each other up on what they'd done the last couple of days.

After Dipper & Co. had left, Grenda had come over to take advantage of the low gravity to retrieve the kite that had been stuck in a tree near the Mystery Shack since last summer (it was, tragically, too tattered to salvage), and then they'd gone over to Candy's house to photograph each other performing feats of impossible strength. (Mabel would be sending some pictures to their parents to confuse them, and adding the rest to her summer scrapbook.) She'd spent the next day breaking the trampoline world record until Soos came outside and said gravity was probably too low for it to be safe to be up in the air anymore, if Bill's warnings about being off the ground when gravity hit zero were true; at which point Mabel had hung around inside air-swimming until she suddenly slammed against the ceiling, and then the ground. She was fine. She just had a couple of bruises. She showed Dipper her bruises.

In return, Dipper told Mabel about how their quest had gone: the checks for micro-rips, Bill's increasingly frantic warnings, the lake—

("You got to see a bajillion magical axolotls and I didn't?!")

—the cliff, the Axolotl, Dipper's near-death experience, and what he now knew about his out-of-body dreams.

"Seriously?" Mabel hissed, eyes bugging out. "And he had us looking up lucid dreaming books! What a jerk!"

"I know! He could have just ignored the whole thing, we didn't even think it was anything but dreams."

"And I'd thought he was being so helpful, too! Like he was really trying to make up for giving you 'nightmares'!" Mabel laughed in disbelief and flopped down on the flimsy mattress. "All that because he just didn't want us to know how it was really his fault? Biiill, ugh."

His fault. Dipper hesitated, wondering whether he should tell Mabel what Bill had said about Mabel's Fault; then decided against it. Bill had probably been telling the truth when he'd said he only wanted all the credit for Weirdmageddon.

But—Dipper did tell her about Bill saving their lives. He would have felt like a liar if he hadn't—like he was trying to trick his sister into thinking Bill was worse than he already was. He hoped Ford wouldn't mind; but how could he not tell Mabel?

"He could have just let you die and didn't?" Mabel turned that over in her head, processing this sudden shift in Bill's behavior. "Wow. I'm impressed."

He also told her about their previous encounter with the Axolotl. Considering the other lies Bill had told recently, anything he said about them meeting the Axolotl was dubious at best; but Dipper could remember the Axolotl, so maybe some of it was true, even if Bill had twisted as much as he could. ("The Axolotl said hi, by the way." "Aww. Tell him hi back!" "Yeah, I... don't know how to do that.")

Dipper laid out his journal between them on the folding bed, and Mabel read over the couplet a few times. "'Sixty degrees that come in threes, watches from within birch trees'..."

"It's got to be talking about Bill," Dipper said. "Equilateral triangles have three sixty-degree angles. I just don't know why the Axolotl wanted to talk to us about him."

Mabel frowned at the lines. "I think... I remember meeting him too," she said.

"You do?"

"Kinda. Like in a dream," she said. "We were in some kind of futury space race car. And he had a really comfortable beanbag chair."

"Yes! I remembered the beanbag chair, too!" And he hadn't mentioned it in his journal. "This is great! Talking about it must... must cause us to remember, somehow. Maybe since the universe where we met the Axolotl doesn't exist anymore, our memories of it are... detached or something? Psychically floating around between dimensions until we try to remember them?" He took in Mabel's skeptical frown and shrugged. "I don't know!"

She scrunched up her face. "Ugh. Last summer's first-grader time travel was complicated enough. This is like college-level time travel. Maybe we can ask Bill how it works?"

She said it so easily, like she thought it was actually a good idea. Right after she'd heard about the lucid dreaming thing, too. "I don't think he'd help." Dipper lowered his voice. "He really didn't want Grunkle Ford and me to find out about the Axolotl—and he kept telling me not to think about what the Axolotl told me. He's trying to cover something up."

"Oo-oo-ooh." Voice dropped to a whisper, Mabel said, "Do you think it's some kind of Space Axolotl conspiracy?"

"It could be," Dipper said. "All I know is he was trying to tell us something important about Bill. Some kind of prophecy, or... maybe a warning...?"

He trailed off. Mabel had stopped listening to Dipper. She was rereading the couplet Dipper had written, moving her lips like she was murmuring under her breath—but whatever she was saying, it was much longer than the couplet Dipper had written down. Distractedly, she said, "Do you have a pen?"

"Yeah, here." Dipper quickly handed over the pen he kept in his vest.

Mabel clicked it, went to the bottom of the page, and wrote: A different form, a different time.

Dipper sucked in a sharp breath as the words snapped into place in his mind. "That's it! That was the last line! What else do you remember?"

"That's it," Mabel said. "It was free form poetry with a bunch of rhyme pairs."

"I don't think free form poetry rhymes."

"Pbbbt." Mabel blew a raspberry and shoved Dipper's face. "Whatever! You know what I mean." She pointed at the last line. "Do you think the poem's about why Bill's here? He time traveled to the Mystery Shack in a new body..."

"Exactly! Bill must be back here for a reason. He's got all those powers—or, used to, anyway—and he knows more about the multiverse than anybody on Earth... Maybe there's some kind of big threat coming, and Bill's the only one who can stop it, and—and the Axolotl wanted us to know...?"

"I like the sound of that," Mabel said. "That'd basically make him a hero, right?"

Dipper grimaced. "I mean. I guess? But we're talking about Bill. If he does help us stop a threat, it'd be like if a serial killer picked up a hitchhiker and killed him, and then it turned out the hitchhiker was an even worse serial killer."

"That still sounds kinda heroic to me."

"Pfff, okay." He looked at his journal. "But... what is he here to do?"

Mabel considered what they'd already written. "Maybe we can use him to spy on our enemies through birch trees!"

"Thaaat's probably not it."

"No, I think I'm on to something. I can feel it."

There was a lot of empty space between his couplet and Mabel's line. "There's more we're missing, though. Maybe the rest of the poem describes the threat? Or what we need to get Bill to do?"

"I can't remember anything else, though."

"Me neither."

They stared at the page together, waiting for something to come to their blank minds. Mabel looked at the fish tank. "Hey, Primrose! Do you know anything?"

The pet axolotl in the tank ignored her serenely.

Dipper said, "'Primrose'?"

"Yeah, last summer Grunkle Stan said her name is Freakface, but I thought she deserved a cuter name. She's primrose color!"

"Ford says he originally named him Nikola."

Mabel gasped. "Nikki..."

Dipper twisted around to look at the axolotl. "Do you know anything? Do you... get messages from the Axolotl's heralds, or anything...?"

Nikola slowly opened his mouth, and slowly closed it.

Mabel said, "Hey. The Axolotl's one of those dimension-crossy time-travely guys, right? He probably wouldn't have given us a prophecy in the wrong timeline and then made us forget it unless he knew we'd remember it in time in the rightdimension!"

"I guess," Dipper said uncertainly.

"So we don't need to worry about it! We'll remember it when we need to."

"Unless this timeline's going to branch, and the only one where we survive is the one where we put all our effort into trying to remembering—"

"Shhh!" Mabel put a finger over Dipper's mouth. "Uh-uh. No college time travel. We'll be fine!"

Dipper pushed her over. "Okay, but we should at least try a little to remember what the Axolotl told us."

"What if we work on it separately?" Mabel propped herself up on an elbow. "Instead of just sitting around thinking about it. And whenever we remember a line, we can tell each other and see if it makes anything click."

"That might be faster," Dipper said, stroking his chin. "We're already remembering different lines."

"Yeah! And that lucid dreaming book said something about focusing on a problem before you sleep so you can figure it out in your dreams! We can just work on it in our sleep and we'll remember it all in no time!"

Dipper laughed. "What? No way, I think lucid dreaming is just one of those made up pop psychology things. I didn't get it to work at all." Either it didn't work or Bill had deliberately recommended a terrible book.

"I did! I can remember like... eighty percent more dreams. And I can tell when I'm dreaming a lot more often!"

"Huh." Or, maybe Dipper just wasn't doing it right. "Maybe I need to start over from step one. Do you know where the book we were using went?"

"Over here!" Mabel had set a couple library books on the end table next to the sofa bed; she pulled out the second one, which had a glittery pink bookmark with a cat on it stuck two-thirds of the way through. "Just don't lose my bookmark."

"Thanks." He'd reread the first step before bed. "We should probably be getting ready for bed anyway, huh?"

"Seriously?! It's barely bedtime!" And when the adults weren't watching, official bedtime was an hour and a half before Actual Bedtime.

"I'm exhausted. I just hiked up and down a mountain and faced down death."

Mabel pointed at Nikola. "You faced down a big salamander."

"Close enough."

They went upstairs, brushed their teeth, went to their bedroom...

And stopped in the door. Bill was still asleep. "Oh. Right," Dipper said.

He was curled into a ball on his left side, facing the wall, covered with only the zodiac blanket and his borrowed/stolen top hat sitting on the side of his head. He didn't use a pillow; he'd pushed Mabel's pillows and dolls behind himself to form a squishy makeshift fortress.

"Please don't wake him up," Mabel whispered. (She'd already set up the folding bed for herself; she'd clearly planned on this.) "He's had a really really hard time the last couple of days, and I think he needs as much sleep in a real bed as he can get, and it's just for one night, and I'm sure he'd rather sleep than do anything evil—"

"He said something, didn't he?"

Mabel paused. "Yeah. I think seeing his body really messed him up."

Dipper sighed. "We were trying to keep him away from it." He didn't want Mabel to think they'd forced him to stare his own death in the face. "But he did that... eye thing and looked through the trees, and..."

Mabel nodded.

Well. Dipper couldn't kick him out now. For Mabel's sake.

As children, occasionally when they got hotel rooms with a bed too few, their parents would stick them in one bed with a barrier of pillows in between them. At age thirteen and without two crabby parents trying to get them to just go to bed after a long plane flight, they unanimously vetoed that plan. Dipper decided against asking Stan if he could sleep in Ford's unoccupied bed, both because he suspected Stan would just go upstairs and drag Bill out of the room and because he didn't want Stan to think he was scared of Bill. He wasn't scared of Bill. Not anymore. He could handle one measly night in the same room as him. Anyway, somebody had to make sure he wasn't unsupervised in their bedroom all night, right?

Dipper and Mabel quietly set a floor mirror and old lamp next to Mabel's bed, draped a sheet between them, taped on a pink poster that said "WARNING! TRIANGLE ZONE!" and was covered in stickers of triangular objects, and decided Dipper was adequately shielded. If Bill did get up during the night, he'd probably trip through the sheet and wake half the house before he got anywhere near Dipper.

Dipper went to sleep with a baseball bat in his hands.

####

"Okay," Bill said, hands on his sides, "what am I looking at here?"

The feral band members of Sev'ral Timez turned toward Bill, eyes reflecting in the dim light. They were squatting around Bill's petrified corpse like a pack of apes examining a sleek black monolith.

"Hey girl," Creggy G. said.

"Hey," Bill said. He looked down at himself. His onyx black feet hovered over the ground and the yellow glow from his exoskeleton illuminated the clearing. "Lemme cut to the chase, is this gonna turn into a raunchy dream? My corporeal love life is about as cold and dry as Antarctica, I keep hoping one of my dreams will get a little hotter and wetter—"

"Nah, G," Deep Chris said. "Mr. Bratsman got us fixed."

"Aw."

"We're here to pay you reverence for freeing our minds from the chains of the conventional," Greggy C said, gesturing to Bill's corpse. Leggy P was kneeling and bowing to it and Chubby Z was posing for it. "We want to help free you like you tried to help free humanity."

Bill's eye narrowed. He tapped a finger against the edge of one brick as he considered this offer. Finally, skeptically, he said, "Fine. I'll bite. Why should I think you can help me?"

"Because we can give you the understanding your heart's been missing, girl. You're just like us," Chubby Z said. "A horror never meant to exist, born of a dream to construct the perfect golden idol, forced to dwell within an unnaturally-fabricated human shell."

Bill tilted his head thoughtfully. "I'm with you so far."

"We want you to join us," Deep Chris said. "Cavort with us in the silvan night, G. Shun the harsh light of the spotlight for the healing salve of moonbeams. We'll get drunk on the sweet fermented summer berries, uncaring of how the brambles prick our flesh. We'll dance in a frenzy of ecstasy and only sleep when the morning sun lifts the dew from the flowers and the sweat from our skin. It'll be straight Dionysian, boo."

"We can kiss the hot trees," Creggy G said.

Bill grabbed his shoulder. "Oh, you're the human that keeps making out with birch trees! I knew your face was familiar!" He paused. "So... are there any eligible ones around here?"

"Sure, girl, just downstream."

"If I'd known, I would've polished myself first."

"Say you'll join us, Bill girl," Deep Chris said. The band crowded around Bill to either side, posing around him—the backup dancers for the star singer. "You'd be one of us."

"We're already exactly the same," Creggy G said, holding up a mirror so that it reflected his and Bill's faces beside each other. In Bill's human face were two empty white eyes with pinprick pupils and pale blue irises, exactly the same as the eyes of the Sev'ral Timez boys.

He sat up with a gasp, hands flying to his face. There were still green boughs at the edges of his dreaming vision, blending into the wooden boards of the Mystery Shack's attic. Before sleep had fully fled his mind, he seized up the zodiac blanket draped over his body and stared into his embroidered eye.

The eye stared back at him. Through it, he could see his horrified sleepy face, and his normal slitted yellow eyes. His connection to the blanket's eye disappeared as he finished waking up.

He heaved a sigh of relief and flopped back down. He'd been lucid, but he hadn't been in control of that dream. He still needed practice.

He rolled toward the light of the window, groped around beneath it until he found his journal, grabbed up his crayons, and flipped pages blearily until he found the first blank one. He started writing down his dream, pausing only briefly as he tried to figure out how to translate "Sev'ral Timez" before settling on a sufficiently goofy way to misspell "several times" in Plaintext.

He made it halfway down the page before he stopped. Hold on. This wasn't his beautiful journal. These were not his beautiful crayons. He checked the cover and grimaced in displeasure when he saw a pine tree rather than a hand. Dipper's journal. Bill ripped out the page, ate it, and set the journal and Mabel's crayons back on the table  under the bedroom window.

"What was that," Dipper asked, "some kind of Morse code?"

Bill yelped and twisted around. Dipper's soul was hovering above Mabel's headboard, watching over Bill's shoulder.

"Hey! Back, foul ghost!" Bill snatched up Mabel's pillow and swung it at Dipper.

"Ow—Hey! How did you hit me, I'm in the mindscape—"

"I said back!" Bill swung again, chasing Dipper off the bed. "Back into your fleshy tomb!" He climbed off the bed, stumbled into Dipper and Mabel's trap, tripped through the sheet and probably woke up half the house.

He yanked the sheet off and flung the pillow at Dipper by its corner. "Now get back in your body, go to sleep, and leave me alone."

"I don't know how to get back in it. I just wait until it happens by itself," Dipper said, floating irritably over his sleeping body, arms crossed. "Why do you think I just wander around every time I have this dream?" He paused. "Right—it's not a dream, is it."

Bill sighed heavily. "Try putting your body on like..." He almost said like an exoskeleton, remembered his audience, and amended himself: "Like it's clothing. I usually start with the hands. Just like putting on gloves!"

Dipper looked at the cold fingers wrapped tightly around the baseball bat. "How do I put hands on like gloves? There's no opening or—"

"Just try it, would you?" Bill sat tiredly on the edge of Mabel's bed.

Dipper shot him an irritated look, but pressed his ghostly hands against his fleshly ones, passing through the skin until one set of fingers rested inside the other. A fingertip twitched. 

Bill gestured with one hand, continue. "Now the sleeves."

"I know how to get dressed." Dipper laid down in his body, forearm into forearm, shoulder into shoulder—until he was wholly back inside. He sat up, awake. "Huh."

"There, see?" Bill said. "And if you want to take it back off, just do the same thing in reverse. Like degloving your body from your soul!"

"Did you have to phrase it like that?" Still, Dipper tried it, peeling out of his body from the fingertips up. He left his body sitting upright as he hovered over it.

Bill chuckled tiredly. "Lookit your face, staring at nothing. Stupid looking."

"Shut up." He slid back into his body, more quickly now that he knew what he was doing.

"Great," Bill said. "Now that you know how to get back in your body, never do that again." He flopped back onto Mabel's bed and rolled over to face the wall. "It's a pain in my base having you wander around all night."

"Then you should've thought of that before you ripped my soul out of my body," Dipper grumbled. "Can you reattach me to my body?"

"Sure, easy." He lifted a hand to point down at his regrettably human form. "Not like this, though. Wanna help reattach me to my body?"

"Never in a million years."

"Then come back in a million years. There's nothing I can do for you until then." Bill dragged Mabel's zodiac blanket back over himself. "So sorry. Go to sleep. Leave me alone."

Dipper bet Bill could do it and was only saying he couldn't to try to trick Dipper into helping him. But he lay back down—clutching his bat again—and shut his eyes.

After a moment, Bill asked, "Where's Mabel? Sleepover?"

"Sofa bed in the living room."

"Right."

And then there was silence.

Several minutes passed. Dipper nearly fell back asleep. He heard Bill climbing out of bed and creeping across the room; but the footsteps didn't approach Dipper's bed, so he didn't open his eyes.

A few minutes after that, Dipper heard him come back, walking more heavily. He cracked open an eye to see what Bill was up to.

He was carrying Mabel, who was still asleep; his arms were trembling from her weight, but even at that Dipper hadn't known Bill was that strong. With a quiet grunt, he set her on her bed, then haphazardly tossed her sheet and zodiac blanket over her. He picked up his top hat from the bed and put it on; and then he wandered off, footsteps quiet as a ghost, and Dipper heard the creak of the door as he left the bedroom.

That was a lot nicer than Dipper had expected from Bill. Maybe he did care about Mabel in his own way.

Mabel rolled over and latched on to one of her dolls. Dipper shut his eye and fell back asleep.

####

(My favorite part of writing this was Bill dreaming about Sev'ral Timez saying the most absurdly flowery things imaginable. Anyway, let me know what y'all think about this week's chapter! And reminder that I MIGHT skip next week or the week after because the next couple chapters need heavier editing than usual.)

[coffeebanana]

some things i've been thinking about (this was supposed to be separate ideas but now i guess it's a rough fic outline in bullet points kasdbfksbjd):

marinette telling adrien the truth YEARS later, after everything's settled down and the butterfly's been recovered and their identities are revealed

maybe they live together. maybe he was getting ready to propose

after his initial shock, anger, time he needs to process, mostly he just wants to understand WHY she lied

when she tells him the she just couldn't bear to hurt him any more than she already had to by telling him his father died, and some part of adrien sees that as his own failing--surely if he'd been stronger, if he'd been the kind of person she thought could handle the truth, then she would have given it

maybe they go to couple's therapy. one of the exercises they're given is to practice honesty with each other and marinette goes... a little overboard

adrien thinks it's sweet, at first. until he realizes she's scared to leave a single second of her day unaccounted for. she's stressing out because she forgot to tell him something minor and he doesn't want him to think she just decided not to tell him something again

he realizes just how much she's been beating herself up about this all these years. just how much she's always loved him despite her mistakes

he remembers the ring he has stashed upstairs

and maybe it's not the time for proposals. but all he can think is that even at their worst, he still wants forever with her

of course, he's never been one for keeping his affections to himself. so he tells her.

it's not a question, it's not an offer. it's a fact: I want to spend the rest of my life with you. i want to marry you. she looks at him like he's crazy, so he pulls out his ultimatum. but i need you to forgive yourself first

all these years, marinette's been secretly awaiting her punishment. secretly awaiting having to pay for what she's done. forgiving herself was never on the table

do you forgive me, she asks in a quiet voice

i don't know, he says, and marinette's heart sinks until he adds, but i know i want to

and in the end, it's not so hard for him to get there. for him to forgive one decision she made under the worst possible circumstances. one mistake in the midst of all the ways she's made him feel safe and wanted and loved. all the times she's held his hand or helped wipe his tears, all the times she's let him do the same for her

when it comes time to exchange vows, for better or worse is already something they've agreed to

[charlesoberonn]

Phineas and Ferb episode idea: After Candace shows her photos of all of her brothers’ creations, Linda thinks that her daughter is a talented graphic artist and signs her up for a competition. Candace is frustrated and about to tell her mom the truth but then Jeremy shows up and he’s like “Wow, Candace, I didn’t know you were a graphic designer. That’s so cool. Btw, my little sister is also gonna be at the graphic design competition.”

Long story short, Candace asks her brothers to help her become a graphic artist for real so she could beat Suzie.

Meanwhile, Doofenshmirtz has gotten tired of designing -Inators so he designed the Comes-Up-With-Inators-Inator to design them for him. The Inator’s creation are a hit among other Evil Scientists who buy them in droves. Doofenshmirtz is then signed by Vanessa to an Evil Contracption Designing competition (held in the same building at the same time as the graphic design competition, of course).

Desperate, he asks Perry the Platypus to help him get his mojo back so he could design -Inators again.

Cue musical montage of Doof and Candace training to learn/relearn their respective art form.

It’s the competition(s). Candace is a nervous wreck, but Jeremy believes in her. Doof is all self-assured and ego-boosted by everyone thinking he’ll win, but then he sees his Comes-Up-With-Inators-Inator (who looks like a robotic him) also signed up for the competition.

While getting ready for the competition, Perry is accidentally almost spotted by Phineas and Ferb. He sneaks behind the curtain to the behind the scenes. That’s when he discovers that the goal of the competition is to design a doomsday weapon. Nervous, he swaps the cards with those of the graphic design competition.

The competition begins. The graphic artists are assigned to design a doomsday weapon while the Evil Scientists are assigned to design a cool band poster.

The scientists are baffled, but they do their best. The Comes-Up-With-Inators-Inator is stuck because it’s physically incapable of drawing anything but Inators.

Meanwhile in the graphic design competition Candace does her best but her brain goes blank. Suzie meanwhile is trying to sabotage her by switching her card back with the card from the other tournament. Unfortunately it’s the card of the Comes-Up-With-Inators-Inator, who now goes to task designing a Doomsday weapon.

The competition is finished. Candace’s work is mediocre, but she wins by technicality for being the only one who drew the correct thing.

Meanwhile at the Evil Scientists competition, the scientists all drew terrible posters except Doof whose poster is beautiful. He’s about to be declared the winner but then the Comes-Up-With-Inators-Inator reveals what it’s been working on, a doomsday machine. Everyone panics, and Perry the Platypus tries to stop the machine, but fails. Then the machine ticks down to 0, and nothing happens.

Turns out the Comes-Up-With-Inators-Inator is terrible at coming up with machines. All of its Inators don’t work. Which unfortunately for Doof results in all of his previously happy customers showing up to complain because their Inators didn’t work either. He asks Perry to help him again, but Perry is already gone.

“There you are, Perry.” “Curse you, Perry the Platypus!”

Despite winning, Candace feels hollow because she only won by technicality and all of the other designers were much better than her. She feels like a fraud. But then Jeremy shows up and asks to buy the rights for her poster, because he thinks it’s really cool. Candace is happy.

The End.